DeathTo [Henry Ward Abbot]
[Summer 1932] • [Rome, Italy, or Paris, France]

. . . . pessimism, questionings about a future life, or the desirability of death. Somehow I seem not to feel the edge of those uncertainties, as I did fifty years ago: but, more objectively considered, the moral anarchy of the world is no less interesting. I am reading an excellent book by Papini, “Gog”:1 the Catholics seem now to be the best critics: Maritain, Papini, T. S. Eliot2 (an amateur Catholic): it is not their faith that makes them clear-sighted, but their remoteness from the delusions of the age. In America, Edmund Wilson seems rather good: but he is academic; has learned his authors.
I have been rereading John Locke, for a lecture I am to give in Bloomsbury in October: a bit prosy, and speculatively poor, but pungent and genuine in his common sense.
You keep asking about my novel: it is not finished, perhaps never will be, and is not likely to be published in my life-time. Don’t think of it. I will send you my lectures on Spinoza and Locke when they are printed— my last appearances in public!
Your old friend, G.S.

  1. Giovanni Papini (1881–1956), an Italian writer and philosopher, was one of the founders of the philosophical journal Leonardo. A bitter opponent and critic of Christianity, he was converted after World War I to Catholicism and became an exponent of religious orthodoxy. His works include Gog (1931), a satire on modern society.
  2. T[homas] S[tearns] Eliot (1888–1965), an American-born poet, dramatist, and critic, became a British subject in 1927. He was awarded the 1948 Nobel Prize in literature for his contribution to poetry.

From The Letters of George Santayana:  Book Four, 1928-1932.  Cambridge, MA: The MIT Press, 2003.
Location of manuscript: Butler Library, Columbia University, New York NY