To Thomas Munro
C/o Brown Shipley & Co. 123, Pall Mall, London
Rome. December 13, 1928
There is [a] . . . quality in discussion now, not in your book only, which has fallen upon the world since the days of my youth. You must remember that we were not very much later than Ruskin, Pater, Swinburne, and Matthew Arnold: our atmosphere was that of poets and persons touched with religious enthusiasm or religious sadness. Beauty (which mustn’t be mentioned now) was then a living presence, or an aching absence, day and night: history was always singing in our ears: and not even psychology or the analysis of works of art could take away from art its human implications. It was the great memorial to us, the great revelation, of what the soul had lived on, and had lived with, in her better days. But now analysis and psychology seem to stand alone: there is no spiritual interest, no spiritual need. The mind, in this direction, has been desiccated: art has become an abstract object in itself, to be studied scientifically as a caput mortuum: and the living side of the subject, the tabulation of people’s feelings and comments, is no less dead. You are yourself enormously intelligent and appreciative, and so is Dr. Barnes, but like a conservator of the fine arts, as if everything had been made to be placed and studied in a museum. And in your theory of taste (do you mention taste?) you (like Dewey) seem to me to confuse the liberty and variability of human nature, which the naturalist must allow, with absence of integration in each man or age or society: for if you felt the need of integration, you would understand that fidelity to the good or the beautiful is like health, not a regimen to be imposed, by the same masters, upon men of different constitutions, but a perfection to be jealously guarded at home, and in one’s own arts: and you will never have any arts that are not pitiful until you have an integrated and exclusive life. However, I am far from denying you the possibility of happiness, and wish it for you and Mrs. Munro, with all my heart, even if it be happiness in a museum.
From The Letters of George Santayana: Book Four, 1928–1932. Cambridge, MA: The MIT Press, 2003.
Location of manuscript: Unknown